František Jungvirt and Barbora Kotěšovcová – Fashion Glass

From 7th August to 25th September you can see an exhibition of František Jungvirt and Barbora Kotěšovcová in Galerie Kuzebauch called Fashion Glass.

The glass artist František Jungvirt (*1996) and fashion designer Barbora Kotěšovcová (*1997), both students of the Academy Arts, Architecture and Desing in Prague (UMPRUM), went a even further in their collection for Galerie Kuzebauch. Not only do they combine glass and textile, they also worked together from the very beginning. The result is a collection of organic creations, evoking previously unknown alien life-forms, or organisms invisible to the human eye living with us unseen for millennia. The aesthetics of individual objects and their use of materials is conceptually and functionally connected, just like on the runway, the body of a model is connected with their clothing, or the way a glass object touches its plinth. Thus, the title Fashion Glass, referencing the environment of fashion shows and art presentations.

Veruschka – Photo by A. Willow

Despite all existing theoretical works, art is still an incomprehensible entity. There is no guaranteed recipe to access it. There is no objective idea of what it does or does not constitute, which is a view that shifts with new generation of critics. František Jungvirt and Barbora Kotěšovcová came up with a concept that is not self-serving. It very articulately shows that there are numerous paths towards the finish line, even though its direction may not be certain at the first sight. In the spirit of the ancient saying – Seek and ye shall find!

Claudia – Photo by A. Willow


Lada Semecká – Haiku

From 12th June to 31st July you can see an exhibition of Lada Semecká in Galerie Kuzebauch called Haiku.

For many years, Lada Semecká lived in Japan. It is this experience that formed a crucial aspect of her creative identity, whether it is the power of contemplation, a certain depth of thought or a naturally minimalist expression. Her honesty, humility and modesty, is never contradicting the artistic confidence, but on the contrary, it provides strength and makes her art authentic. For self-reflection, in her case, is truly a knowledge of the self, rather than a mere a show for the audience.

Its Snowing!, 2020

Lada Semecká’s objects evoke Japanese haiku – three short, lyrical phrases that she adores. One can read these poems in mere seconds, or it can take their entire life. Semecká’s art can be viewed in a similar fashion, as lyrical poetry about nature and its relationship to humans. It deals with the experience of the permanent, the fleeting; the fixed and the changing. It asks for an attentive reader. Protagoras is believed to have said in a similar spirit: “Of all things the measure is man, of things that are, that they are, and of things that are not, that they are not.” Thus, for some Lada Semecká’s work pose as aesthetic object, for others they are the bridge between inner and outer worlds that are barely sensed at first, as if perceived through the depths of a lake. It is up to the individual to accept this invitation and dive in.

Petrovice – Church Vistas

Achema 2021

Even though the internation trade fair and congress for chemical engineering, environmental protection and biotechnology is taking place next year, the preparations are in full swing since the end of 2019! Achema is going to take place from 14th to 18th June 2021 in Frankfurt am Main, after a three year pause.

If your company is interested in exhibiting on the trade fair, you can find all important information about registration on the official website.

If you would like to come to Achema as a visitor, all the information including exhibitiors, journey and halls can be found on the Achema website in the visitors section.

Looking forward to see you in Frankfurt next year!

Zuzana Kubelková – Heads ‘n Tails

Galerie Kuzebauch is closed due to the coronavirus pandemic, so you can visit  the exhibition  by appointment only (from 19th March to 5th June). Should you like to visit us, please contact us via mail or phone (+420 732 160 181). All objects from this exhibition are available at

Shrimp, 2019

Zuzana Kubelková (born 1987) is among those of her generation of glass artists that has developed an affinity for interspersing black and white colours, as well as contrasting the front and reverse sides of her art objects. Additionally, Kubelková has developed a reputation for experimentation with different materials and techniques, as well as seeking artistic solutions both internal and external. Which means that her natural field of artistic creativity is not three, but rather four-dimensional. Whether melting down fibreglass, conjuring up facial visages wrapped in fibreglass cloth, or combining various materials, Kubelková’s works are guaranteed to be both bold and original. Indeed, Zuzana Kubelková’s interactions with glass undoubtedly go far deeper than a mere summertime romance.

Tremors, 2019

Galerie Kuzebauch at Collect 2020 – Metaphors of Nature

During Collect 2020 (27th February – 1st March) in London, Galerie Kuzebauch will showcase for the second time the exceptional pieces of Czech studio glass, created mainly by a generation of artists born after the 1970s. Their work with glass as a material consists of both differences and similarities.

Klára Horáčková, Evolution Space I, detail, 2018.

The exhibition presents two distinct ways through which the natural world influences the works the few selected artists. Firstly, artist such as Klára Horáčková and Anna Polanská draw directly from the morphology of the environment around them. Inspired by tectonic shifts, the erosion of soil or by natural elements – their pieces represent nature in its purest form, as a force to be reckoned with. The other three artist presented derive inspiration mostly through geometry – an organic vocabulary of shapes, colours and surface structure. Such are the works of Ondřej Strnadel, Petr Stanický and Milan Krajíček.

Ondřej Strnadel, Vessel, 2020.

In the Metaphors of Nature exhibition, Galerie Kuzebauch explores these different, yet connected approaches to glass art in an attempt to find a common reason behind such a powerful inclination to the natural world.

Vladimir Klein – The Depths of Contrast

From 24th January to 13th March you can see a new exhibition of Vladimír Klein in Galerie Kuzebauch called The Depths of Contrast.

Vladimir Klein, a graduate of, and subsequently also a director of, the Secondary School of Glassmaking – Kamenický Šenov (SUPŠS), and a student under the noted Czech glass artist Stanislav Libenský at the Academy of Arts, Architecture and Design in Prague (UMPRUM), is a globally renowned Czech glass artist. He was the first Czech to teach at the prestigious Japanese Toyama City Institute of Glass, which has since become a major hub for artists from the “Heart of Europe”.

Orange Balls, 2019

As a dexterous and inventive cutter of glass, Klein has developed his own method for decorating custom-made optical glass works, cutting surfaces with the aid of a video-assisted hand tool.In his current art collection, the artist utilised fused glass to a significant degree for the first time. Whereas earlier, his cast glass pieces were mainly based around geometric principles, this new technique has enabled the creation of almost naturalistic shapes evoking huge water lily leaves or slices of exotic plant life.

Orange Boat, 2017

Despite working with glass for more than half a century, Vladimir Klein hasn’t come close to recycling past ideas and we can still see his insatiable appetite for creation.

pf 2020

Merry Christmas and a Happy New Year to our friends, co-workers and partners from all of

Happy Materials!

We will be back in office on the 2nd of January.

Sketch the Change! 2019

You can watch our review of the international conference on sustainability Sketch the Change & launch of the printed issue of Material Times Magazine. Conference is focusing on sustainability in terms of materials and their processing across disciplines. We are preparing the next one for 2020.


How can you be a part of the conference? Become a partner of the Sketch the Change 2020! conference. Help us realize this inspirative and important meeting in 2020.

Milan Krajíček – Fluidum

From 15th November 2019 to 15th January 2020 you can visit our Galerie Kuzebauch and experience the exhibition of Milan Krajíček called Fluidum.

Slowly, 2019

Milan Krajíček is one of the students of Professor Kopecký at the Academy of Arts, Architecture and Design in Prague. He then worked as a designer and teacher at the Akademie Světlá nad Sázavou school of arts. After some time he brought forth a notable and original artistic conception – an innovative custom-developed technology of cast glass sculpting.

Negative IV, 2018

With each work, Krajíček continues his journey exploring the possibilities of glass, making works that are on border of both a liquid and solid state. Krajíček is unafraid of deconstructing shapes, or of playing with material concepts and their surroundings, or of merging internal and external spaces. The path chosen by Milan Krajíček is deserving of both respect and recognition.

Unrest III, 2019

Vladimíra Klumpar – Vibration

From 18th September to 8th November 2019 you can visit our Galerie Kuzebauch and experience the exhibition of Vladimíra Klumpar called Vibration.

Revealed, 2014

After completing her studies at the Secondary Professional School of Applied Glass Art (SUPŠS) in the northern Bohemian town of Železný Brod, Vladimíra Klumpar went on to study at the Professor Stanislav Libenský Glass Studio at the Academy of Arts, Architecture and Design in Prague (VŠUP), from which she graduated in 1981. Along with Jaroslava Brychtová, Stanislav Libenský served to symbolise an insurgent contemporary boom in Czech cast glass sculpting – a technology that stretches back to ancient times – but one only finely honed during the mid-20th century in Czechoslovakia.

Smoke, 2018

Vladimíra Klumpar, lived and worked in the US (1985-1998), Mexico (from 1989), and also in the Czech Republic (from 2000). Klumpar’s glass art works, often presented via striking, dominant colours, can be characterised as both dynamic and vibrant.

Leaf, 2019

They possess a kind of internal vibration, restlessness, quivering, thus reflecting a mode of communication inherent to both the planet on which they reside, and the entities who brought about their existence. And such powerful art explains why Vladimír Klumpar is one of the most dynamic contemporary creative forces of her generation – for she does not treat glass as just another material, but rather as a unique natural manifestation; a kind of fifth element.